

The Rhythms of French Caribbean Popular Music
A well researched piece of art, enjoyable start to finish!

The ultimate dive guide
A must for the crusing yachts bookshelf.

the tragic encounter of two worlds beautifully conveyed
Columbus' voyages come to life!

Engaging, detailed overview

Exceptional comprehensive guidebookEnjoy and Amusez-vous bien!


Writing of the Caribbean

An excellent and practical guidebook.
Martinique, Guadeloupe, Dominica & St. Lucia - Alive

Differing points of viewThe outsider, Frances Sancher, dies in Chapter One, and the reader expects a mystery here, in which an explanation for his death is revealed in the end. And it is true enough that Frances is a mysterious character, especially as seen through the many different eyes of the community, but Conde is not writing a detective story-- or, at least, not a traditional one. Even though Frances seems to be a catalyst for change in the community, he is not the center of the novel, even though his physical body in its casket serves as the candle to which the moths are drawn. Like the candle, Frances' life and death illuminates the other characters, sometimes singeing one or two, but when the candle burns out, the moths are free to move on and return to what they were doing before the candle arrived.
I really liked the structure of this novel, as each chapter is told from a new point of view (nearly 20 different in all). I realize that this is nothing new--William Faulkner's As I Lay Dying and other novels have used a similar scheme--but this was the first time I had run into it.
I'm not sure the novel works for me in the end, either, unless Conde's purpose was to portray Guadalopean society as fractured and diverse. This definitely comes through, but works against the Western tradition of cohesiveness in the novel. The ending here is not Aristotelian; instead, it implies a multitude of beginnings.
Impressive! It's Everything that you'd expect and more!BUT THIS BOOK HAS A STEW SO THICK IN CULTURE and COLOR SCENERY that it encaptures you so that shortly you'll realize that the book is over. Every character has an interesting story. I love this book and I plan to read more of Conde's novels. It's a journey in past times and current times, cultures varying from Negro, Mulatto, East Indian, French/Creole Carribean as well Spanish Carribiean and Americas..You'll love it.
This book is your perfect travel read!

Be aware that this book is completely written in French!...

What Lost TribesMy anticipation of this book far outreached the actual reading. The author spends the majority of his time describing the country he is in at the time, and they all seem the same. In detail he tells of the hotels he stays in, where and what he eats, whom he meets along the way, and something about the countless people he asks directions from even though he has a guide. He tells of how the white foreigners arrived in the country, very little of where they fit into the current society, and nothing in between. I realize that time has eroded any written or oral link between the past and now, but in my opinion, this is what was promised. One can read the same few documents that were reprinted in the book on the Internet and glean as much real information as portrayed in the book.
In all I was disappointed with the book.
Lost Opportunity
Descendants of Europeans in remote corners of the worldThe title "Lost White Tribes" is rather misleading though, as only the Jamaican Germans, the Blanc Matignons and some of the Confederados are actually whites. The Dutch Burghers, the Rehoboth Basters, and many of the Confederados as well as the Haitian Poles are in fact mixed-race peoples (ie. Eurasians and Afro-European). From the author's decription, the Haitian Poles despite proudly claiming to be Polish are mainly of African descent with some white admixture.
Hence, I was quite suprised that notwithstanding the title and the fact that there are so many white groups and sub-groups in the New World, including some who live amongst a non-white majority, the author has chosen to include these communities. There are still French white creole communities in Mauritius and the Carribean islands, Mennonites in Belize as well as various distinct communities made up of descendants of Germans and other continental Europeans in Latin America. When I was in the Philippines, I found out that there were still many wealthy Spanish families descended from 16th century settlers.
I give this book 4 stars because the author wasted too much time describing in detail the place he stayed in, whom he met along the way to asks directions and what he and his companions did (eg. his encounter with a pimp in Sri Lanka, his misadventures with a Protestant minister in Haiti, the two kids he hung out with in Jamaica etc.) He should have used the space in the book to have included more communities.
Berrian's book is a treasure trove of personal interviews with musicians and original transcriptions of song lyrics in French Creole and English. Awakening Spaces effectively bridges the past and present in Francophone Caribbean music for all lovers of music-be they exuberant fans of zouk or musicologists.